Book Review: "The Artists Guide: How to Making a Living Doing What You Love” by Jackie Battenfield

5 out of 5 stars

I can not say enough GREAT THINGS about this book or recommend it to enough artists! The Artist's Guide: How To Make A Living Doing What You Love has been a big eye opener and helpful guide for what it takes to be a professional artists. Jackie Battenfield freely shares the knowledge she has gained as a professional artist for the last 20+ years for beginning or re-beginning artists to reference as they embark on their own journey. Battenfield takes a very practical and realistic approach to what it means to be an artist. She gives a thoroughly overview of a lot of the responsibilities, problems and needs an artist will face and how to deal with them.

I know for me as a student, there are many unsure areas of what needs to be done to make money in the art world. Battenfield has been very helpful in paving a more clear picture for me of what it will take. I am not saying this book gives every answer I'll ever need to know or is the only resource I would ever need, but it helps bring light to a lot of what was once unknown. It makes it clearer how and where to start a career as an artist.

In her book, Battenfield covers a lot of essential skills an artist should develop, like setting goals, how to write an artists statement, a resume,a bio and how to make work samples, and she gives advice on organizational skills. She discusses grants, residencies, copy right laws, taxes and building a network of artists and other art professionals to draw upon for help. She offers guidelines for exhibiting your work and gives resources for finding galleries that are a right match. She also outlines who the key players are in the art world and what role they play. (Most of this information I had little knowledge of beforehand so I received it all gladly)!

At the end each chapter, Battenfield gives a list of resources (with a brief description of what information that resource contains) that gives direction of where to look next for more information covered in the chapter. I found her brief descriptions to be very helpful in choosing what other resources I would be interested looking in to.

To sum up my overall feelings about the book, I was actually sad when I finished it. Battenfield began to feel like real, helping friend to me. I felt like I knew her and her career intimately. Her writing approach was often personal, she gave great antidotes and I could relate to what she was saying. I even felt at times as though as I was having a conversation with her. It was a very easy and enjoyable read. This is a book I plan on re-reading over and over again throughout my career and I see myself reference it often for advice about the many responsibilities I will face as a professional artist.

Book Review: "How To Get Ideas" by Jack Foster

5 out of 5 Stars

My husband suggested this book to me. It was a required book for his English class. Anyone in an field, whether in the arts or not could still glean tools towards creative thinking found in this book. How To Get Ideas was a fun book for me to read. It is a short, quick read (I finished it in a week), but it is packed full of information. As I was reading it I kept thinking, “Wow, I need to tell my teachers about this book and convince them to make it a required reading for their classes.” Foster starts his book out by defining what exactly is an idea. He declared it a “new combination of old elements.” Just having the definition of an idea alone helped me to start thinking and seeing things a little differently.

Foster gives 10 great tools in 10 great chapters for generating ideas (or as he put it “idea-condition your mind”): Have Fun, Be More Like a Child, Become Idea-Prone, Visualize Success, Rejoice in Failure, Get More Inputs, Screw Up Your Courage, Team Up with Energy, Rethink Your Thinking, and Learn How to Combine. After every couple pages I would find myself putting the book down to write notes, ideas, and insights to his suggestions. I felt very inspired to put what he was preaching into practice. It takes effort, but I see it as a valuable return.

Foster finishes the book with a “five-step method for producing ideas.” There is a chapter for each step where he discusses what to do and why to do it. The idea is to combine idea making tools with an idea making formula and great ideas will be born. I felt like Foster, who has worked for years in the advertising industry, had a lot to offer on creative thinking. He gives personal stories and insights, but his book is also stalked full with examples and quotes from others as well.

Gumoil Prints

This is a really cool, but rather difficult alternative photographic process called the gumoil processes. It was invented by Karl Koenig in, I believe, the early 1990s. It uses similiar chemsistry as a gum bichromate, but instead of water or acyclic paint it uses oil paint. It isn't printed the same as gum bichromate processes. The image is printed first with just the chemistry, then you brush the oil paint on top and rub it back off. The print is then placed in a bleach bath to be etched, followed by a 10 minute rinse.

This was kind of difficult processes for me to print with. It is very finicky and easy to lose my image quickly. I was running into problems where the paint was too thick so that the image couldn't be seen or else the paint was washing off in the bleach etching bath. It was really hard for me to keep the details of the photo as well. I had about 6-8 images I printed multiple times for this series, but these were the only two I was actually satisfied with. I love the gritty, old look that gumoils offer so I want to keep practicing to see if I can figure out a way to better control my printing. I am really glad I tried it and got at least something to turn out.

Book Review: "Art Revolution" by Lisa L. Cyr

4.5 out of 5 Stars
I actually read Art Revolution at the end of the summer and have been so busy I hadn't gotten around to writing a book review yet. This book was very influential for me.

The "art revolution" Lisa Cyr is referring to in her book is that of mixed media artwork. I work primarily in alternative photography, but after reading this book, it inspired me to learn as many art mediums as possible. Not only was I inspired, but it motivated me enough to sign up for a watercolor and an oil painting class at school last semester. I loved learning and exploring these new mediums so much I signed up for 3 painting classes and a drawing class for this semester. In my opinion, a book that can inspire real, concrete change is a powerful book. This book really amplified my desire to learn as much art as I can (however, individual results may vary).

Art Revolution is packed full of beautiful and inspiring images. It was a feast for the eyes and the mind. Cyr picked very thoughtful, talented artists to feature in her book. She interviewed 20 mixed media artists, including a 2 to 3 page article about their art work which was packed full of great quotes from the artist. Each section also has a few images to show off the artist's work. Some of the artists even give step by step demos on how they created a piece of art. The directions in the demo seemed a little unclear sometimes, but it gives you a good general idea of how mixed media works and of different techniques you can try in your own work.

What I gained most from this book (well . . .besides the desire to act) was reading about the artist's working process. It is fascinating for me to hear other artists talk about their work. It helps me understand my own processes and concepts better, and also helps me develop skills in talking about my work. I also gained a lot of insight about working with concepts and how to illustrate ideas. Mixed media is not always easy to pull off, but in Art Revolution there are many great examples of beautiful mixed media art, as well as explanations about why artists' are working with mixed media. I think if you are a mixed media artist, you will enjoy this book.

Book Review: "COLOR: messages and meanings" by Leatrice Eiseman

A must have:


5 out of 5 Stars
This book is a great resource for all artists, but especially for graphic designers, interior designers, and commercial photographers. This book is an essential resource (it is targeted to this audience . . . especially graphic designers). I am not a graphic designer, but if I was, I know I would be referencing this book daily for inspiration and direction. I have read a couple books on color (color theory, color symbolism) and this is the best book I have read. The author, Leatrice Eiseman, has strong credentials and it shows in her book. She knows what she is talking about. The book is easy and enjoyable to read and very informative.

It starts by covering the basic colors (red, blue, brown, purple, orange, etc.) and the symbols/moods associated with those colors. She even touches on how colors effect us psychologically. At the end of a color section she lists different shades of that color along with positive and sometimes negative adjectives/symbols often associated with these colors. I found this section the most interesting. It was very informative and comprehensive. It is a very helpful reference for any artist who works in color to better understand what role color plays in sharing a message with their audience.

The next section is about color in the marketplace. This section is more about using color in the advertisement world. She focuses on creating an identity for a company and how color effects their image and reflects their mission as a company. Eiseman talks about using color as an attention grabber and using appropriate colors to fit certian ages, genders, and shopping patterns.

The next section goes into color relationships. She has a brief section about color schemes on the color wheel and the messages sent by using those schemes. Following this, she gives 20 different moods (exotic, sentimental, unique, restful, assertive, nightlife, etc.) with a brief description of the mood and associated colors. Then, on the next page, there are 20 colored squares giving examples of a dominant, subordinate, and accent color combinations that could be used to convey that mood. The part I found most impressive is at the end of the book where she has a chart of every color she used in the book and the CMYK numbers for that color! This chart is a great time saver and will help you get the exact color combination desired. It makes this book a very practical reference book.

In the last section, she covers color trends in the advertisement world and how to spot them. She briefly discusses trends in fashion, graphic design, technology, and art. She even gives specific examples of places to look.

I really loved this book. Not only are the images beautiful and pleasurable to look at, but it is packed full of information. It is the best book on color I have seen or read. I STRONGLY recommend it to anyone who works with or is interested in color theory, color relationships, or color symbolism. If you are a graphic designer, this book is a must have. It is worth every dollar spent on it!

Art Show

I am having an art show! The opening is Friday. This is my first solo show and I am very excited about it. I have been working on my concept and art pieces for a year and now it is finally time to share what I have done. After my show is finished I am planning on posting all the images from it on my blog.

Holga Camera - Cross Processed Film

I took these images with a toy camera called a Holga. It is a cheap, plastic medium format film camera. Because it is so cheap it leaks light in, vignetting the edges of the image. I crossed processed the film when I got it developed and so it shifted all the colors around.

Liberated

Last Spring when I made this project, I felt things were amiss in my life. I felt I was living a very lopsided life and wasn't practicing the self control and discipline I felt I needed to. I thought about that a lot, and I noticed the other people around me, and thought about our society as a whole and could see they were in a very similar predicament. I decided this was a little concerning and I need to say something about it. So this project was born. It is about the importance of staying balanced and grounded in life. This self control ultimately allows more freedom in the end.

I showed this piece at the end of last spring semester at my school. I hung it in the halls of the art building. I had a beautiful, long branch I hung my prints from. I wanted to emphasis the importance of a branch in a birds life. Sadly, the photo I have of the final presentation isn't as lovely as I would have hoped. The lighting in the building was terrible and it was hanging in a hall, so I didn't have enough room to back up to get the whole thing. But you can see the general overall idea. It took a long time to hang, but it was well worth it!

I printed the images on watercolor paper with the historic cyanotype printing processes.

Gum Bichromate - Ballerina

I think ballerinas are such a wonderful symbol for grace, dignity, and discipline. I love how they move. One of my dear friends is a ballerina. She is one of my favorite subject matters to photograph. I printed these Gum Bichromate pictures as a birthday present for her, and as a thank you for all the hours she has spent with me over the last couple of years modeling in the studio. I picked a soft, silvery color for my paint as a representation of the way I view ballerinas: gentle, subtle and eloquent.

Image Transfers on Wood

I made this book for a friend of mine who works at the university I attend. He had made some comments earlier that got me thinking about how he could use a nice gift in his life lately. So with the help of my teacher we were able to borrow his well-beloved cowboy outfit and photograph it.
I photographed these images with a 4x5 large format camera. It was the first time I had ever used one before. My teacher let me use hers and went out photographing with me so she could teach me how to use it (I loved it so much a couple weeks later I bought my own ;).
Besides learning how to use a 4x5 camera, I was also interested in learning some new book binding techniques. I decided I was going to make my friend a handmade book with the images I took. I choose wood as the substrate because I wanted to play with new materials and I thought it fit the cowboy theme. I scanned the images on the computer,printed them off and transferred them onto wood. I stitched it with a green thread and have a belt around it to seal it closed.

Photographic Toning with Kool-Aid

I wanted to experiment with homemade photographic toners, so I bought a package of red and blue kool-aid. I mixed each package with a little bit of water. I then transferred some laser prints onto a heavier paper. I placed the images (or sometimes just sections of the images) in the two separate colors for about 30 seconds. I am happy with how it turned out. I am planning on making a toning journal where I have a collection of different types of papers with different types of toners as a reference for future projects. I think toning an image can add a lot to a print.

Book Review: "Photographic Possiblities" by Robert Hirsch

An excellent book I just finished reading:


5 out of 5 Stars

This book is fantastic! It is laid out in textbook format, but don't let that intimidate you. It is well worth reading!
The first note to make about this book is that its focus is more directed towards photographers working with film. This book covers topics such as: paper and negative developers, photographic toners, specialty films and cameras, and how to mix and store chemistry. It also has an excellent opening chapter about what photography is and pushing the boundaries of art making.
The author, Robert Hirsch, also wrote a lengthy chapter about historic processes. This chapter was the main reason I bought the book. I picked up quite a few helpful tips for coating paper and what substrates work with different processes. I felt the information was adequate enough to at least begin experimenting with these processes, though I sometimes wished he'd gone into more depth. I learned about a new process called gumoil that I am very excited to try and already have a project in mind for it.
Overall I found this book to be very informative. Hirsch is very thorough in the information given. He lists recipes for: making toners, chemistry for historic processes, as well as film and paper developers. He explains in detail what the different chemicals do and why they are needed. He tells what the different visual results will be depending on what type of developer is used. (For example, with film he specifies how each developer will effect the grain size, contrast, etc). He also gives a lot of resources, such as: introducing a wide range of working artists, websites to buy supplies and chemicals, websites for more information about the topic, and a long list of resource guides at the end of each chapter, including other books.
One of the things I liked the best is that this book is filled with beautiful photographs from a wide range of artists. Often he would use the photographs as examples of what he was talking about by using artists who used a certian processes or developer or technique. Also the images would have quotes from the artists that not only explained their technique but also talked about what their art means or why they made it. I love that! It was kind of like little artists statements with each photograph.
The one thing I found most disappointing was the description of how to make digital negatives. I felt like he really skimmed over the concept. He did not give much detail about it. He mentioned the need to change the curves in Photoshop and what to change it to depends on the process you are working with. But then he gave no information about what the curve settings need to be. All he did was reference an artist's website, Dan Burkholder, who has written a book about making digital negatives. So, I guess if you don't already have the curves and information you need, you might want to look into buying the other book, too. Maybe he felt like it was too much information to try and add to his book. But I did take note that for someone who doesn't have experience with making digital negatives, they will probably get lost when making one if they are only going off the information he provided.
My final critique of the overall quality, clarity, information, and inspiration of this book is that it is excellently executed. I felt very inspired by it. I wrote a long lists of ideas to try that I gained from reading this book. I was really influenced by the artists' works and writings. I felt like I gained a lot of insight into the art making process. I learned things about photography I did not know, especially new darkroom techniques. This book is a resource I plan on referring to often. I recommend it to any serious artists working with film, darkroom techniques, or historic processes. To me, it is a must have!

Experimenting With Plexiglass

This is an image of my husband, Devon Harbaugh. I was working on two projects when I made this piece. The first project, I was trying to figure out a good way to convey the concept of layers building upon itself. With the other project, I was playing with the idea of making a book out of plexiglass. I wanted it so that you could look through all the pages and see a final image, but that you could also flip through the pages as you would a book.
When all the pages were put together, I loved how it looked, but each individual piece was not strong enough to hold interests as you looked at them by themselves. I still need to explore that concept with a different approach and subject matter.
As far as the other project goes with building up layers, it wasn't quite the right look I was going for. I think this project looks more broken and pieced back together than individual layers built up to make a whole. I found a different way to resolve my layers piece, much different than how this turned out. But I think this approach has great potential for future concepts and projects. What is your critique and feeling about this picture?

Book Review: "Encaustic Workshop" by Patricia Baldwin Seggebruch

Another book i just finished reading:


3.5 out of 5 Stars

I read this book because I am interested in mixed media techniques and have played some with wax and wanted to learn more. This book covers some basic techniques and ideas for working with beeswax as an artistic medium. I wouldn't suggest this book for someone who is seriously interested in learning the traditional techniques of encaustic painting. In terms of how to paint with encaustic, the information was limited. But if you are a mixed media artists or are always looking for new techniques this is a fabulous resource to have in your library.

Patricia takes a very alternative approach using beeswax as a form of art. This book explores carving the wax, adding watercolor, transferring images, adding found objects, cloth and papers, and even burning shellac on the wax. She even has a chapter at the end with tips, examples, and ideas for how to present or frame your encaustic work.

The step by step images for all her technique examples seemed clear and easy to follow. However, I didn't care much for the examples of the finished art that were given throughout the book. Most of them I found to be uninspiring and as far as I could tell there was no real concept to any of her work, which was a disappointment. She made only a few references to concept throughout the whole book!

She did have some interesting techniques that sparked my interested, though. There was an example she showed where she bleached black paper. It looks like it has a lot of potential to create beautiful things. I am also interested in trying the shellac and watercolor techniques.

Here are the examples of these techniques. I photographed them from the book:

Bleaching Technique


Shellac Technique


Watercolor Technique

And now for my two cents about what I have observed from this book and in my own experience: I have found that when it comes to working with beeswax often times simpler (an image with a few accents and a couple layers of wax) is better...unless you want to go for a more abstract look. When I am trying to use photographs as the main focus and I am adding sand and twigs and paint and text and so on, it just never seems to come out correctly. It usually comes out looking cluttered or disorganized or scrapbooky. I think working with encaustic has a delicate balance between being a cohesive, strong piece of art and being a mess, boring, or having disconnected elements.
But, like I briefly mentioned before, when it comes to abstract work there is a lot of potential. There are many great textures and colors possible through the layering techniques of wax. In general I have found that I like the beauty and mood of abstract work with mixed media encaustic more then something that has a recognizable subject matter. An abstract approach with encaustic can create some very beautiful, visually interesting art.
On a final note, an important tip I discovered: when using photographs make sure the background surface is white, not wood/dark colored because it will darken your natural image a lot as your image becomes partly transparent from the wax.

Great Horned Owl

About 4 or 5 days ago very late at night I spotted a Great Horned Owl perched on a telephone pole. It was hard to see it because of how dark it was, but I was very excited about it none-the-less. I love owls and they are one of my favorite birds. Yesterday I went to photograph at the Arboretum in a neighboring town, and right when we got there, around dusk, an owl flew right above my head. I watched where he perched and was able to take some photos of him. Unfortunately the lighting was dim, so I had to bump up my ISO (which causes graininess/fuzziness) and slow my shutter speed down (which causes motion blur). So even though they aren't perfect pictures (and I can't afford a $5,000-$10,000 telephoto, fast, birding lens), I am still happy I was able to get them!

Darkroom Mural Print

Sorry I haven't been posting my art work as much as I should be lately. I have been having great art experiences other than just creating, but I have been creating lots this summer too and I have so much art to post. Sometimes it just takes me a while after I create something to re-photograph it so I can post it. But I took some pictures and will be sharing them here in the next few weeks.



To start with, this is a self portrait I made as part of my BFA show. My BFA show is my senior project that is required for a Bachelors in Fine Art (BFA). I have been working since last December on it and will be showing it this November at Gallery East in Price, Ut. I am really excited about it.
This photograph was taken on a medium format camera called a Hasselblad. The film I used was Ilford Pan 50 which allows for really fine detail and beautiful contrast. I printed it large (30x32 inches) in the darkroom by projecting it onto the wall and then taping mural sized RC variable contrast silver gelatin paper to the wall to make the exposure. This photograph is about knowing you have an important decision to make and confronting your fears about it with confidence. It is about taking the first step towards change.

Book Review: The Art of Papermaking with Plants by Marie-Jeanne Lorente

And yet another book I have read this summer:


3 out of 5 Stars

The way this book is set up is that there is a chapter in the front of the book discussing supplies and materials needed to create handmade paper. Then it gives instructions on how to make handmade paper. The instructions are basic and easy to follow (of course I think paper making is one of those things that is easier said than done). After the brief introduction on how to make paper, the rest of the book, except for a concluding chapter, has recipes for how to make different types of paper. The concluding chapter features a gallery of working paper-artists and shows the diversity of what contemporary artists are creating with handmade paper. Each artists also has an artist statement and bio.

The recipes in this book are broken up into 4 sections: grasses, trees, edible plants, and non-plant papers. Examples of some of the plants found in this book are: bamboo, wheat, chestnut, elm, artichoke, mushroom, zucchini, and tomatoes. The plants under the edible plants chapter seem to be the easiest to access. Some of the plants aren't even indigenous to America (the book was originally written in French and the author is from France). There are 52 plant recipes.

Recipes include: location for where the plant can be found, when is best to harvest the plant, how to prepare it, how long to cook it for, how much bleach to use, how long to rinse it, the results of the paper (texture, look, etc), and what it can be used for. Some of the paper is so fragile that it can't really be used for anything; it is just to look at.

The thing I did not like about this book was the authors writing style. It was cheesy and random. In the first chapter of the book she gives an introduction about paper-making and the invention of making paper. I found it scattered and uninformative. But when it comes to paper-making she seems to know what she is talking about.

I was interested in this book because I'd like to try printing historic processes on handmade paper. I love the unique look and texture handmade papers offer. Plus, I love using my hands to create. I am not sure how well the emulsion will stick to the paper, but i definitely think it is worth trying. I also want to use handmade papers for image transfers and art books.

Book Review: "Book Art - Handcrafting Artists' Books" by Dorothy Simpson Krause

Here is a review of another book I read this summer:


3.5 out of 5 Stars
This book is focused on the art of book making. Dorothy Simpson Krause seems to be a very experienced book artist. The book is filled with well over a dozen examples of handmade books she has created. With each of these examples she talks about her concept and how and why she did certian things, which is always interesting and helpful for me to hear how other artist work.

Krause covers a lot of ground: altering found/blank books, transferring images and text, book layouts, stitching, and making covers. This is great for an overall introduction to these techniques, but I found that some of the examples and how-to steps weren't as thorough as I would have liked, especially on the stitching section. I wish she had more pictures showing what she is talking about with each step. The pictures are kind of vague. I think if you were a beginner without much experience with bookbinding it might be hard to follow. But if you are familiar with bookbinding and have made a handful of books before, you shouldn't have a problem understanding what is going on and would probably enjoy the book a lot.

Besides the lack of more detailed pictures I found the book comfortable and easy to read. Her writing was conversational and easy to follow.

Overall I enjoyed the book. It had some really helpful tips and creative ideas. It gives a broad introduction to book arts and gives insight to the possibilities available, with great examples. I also found the author to be very sincere and open about her art which is also insightful. My favorite part in the book was an example she gave for gelatin monoprints. She showed how to use gelatin, leaves, and paint to make gorgeous transfers onto book pages. I am really excited to try this technique and can see myself using it often in my own book making projects.

Book Review: "Image Transfer Workshop" by Darlene Olivia McElroy and Sandra Duran Wilson

This summer has been a nice vacation for me. I am up in Washington while my husband is doing research at a university here. This has been a great time for me to take a break from school and work, and to be able to do what I want! During this time I have been able to read a lot of books. Because I have been getting so much great reading done, I decided to write up some book reviews. This way I can share these wonderful books I have been finding so many gems in and share it with you!


5 out of 5 Stars
I would definitely recommend this book. It is a very simple to read, straight forward book with a wide variety of techniques to transfer images (35 to be exact). It gives very detailed step by step instructions with each transfer as well as step by step photographs to go with them. It is hard to get lost or confused along the way.

Plus, with each transfer it lists: its limitations (potential issues), the different types of surfaces it works well on (wood, cloth, metal, paper), its archival quality, and the materials you will need. Also, it gives a troubleshooting section with each transfer to help you figure out why your transfer didn't work. I also found it really helpful that at the end of the book they have a list of resources for where you can buy the materials you would need.

They also have a chapter at the end of the book showing how the artists apply these techniques in their own work. For me personally, my style and taste differs from theirs, but these techniques can definitely be utilized to fit my own personal vision and offer great potential to all different styles of art making (photography, book arts, mixed media, painting, fabric arts).

I plan on using a wide range of transfer techniques I learned from this book. I like to use different substrates in my work and so I am really interested in the transfer techniques that can be used on wood, metal, and cloth. There was also a really interesting technique where you use silk tissue to make a transfer that I want to try. Once I get home and have access to all my art supplies I will post an example of an image transfer I make based off a technique I learned in this book.

Cyanotype Photograms

In my last posts I talked a little about photograms. Photograms are made by putting an object (leaves, flowers, strings, toys, cookie cutters, etc) onto a substrate that has been coated with a light sensitive emulsion. The emulsion is then exposed in sunlight and then fixed in photo chemicals. Here are some examples of photograms I did with cyanotype a while ago.